Following on from my post about a couple of Adelaide Fringe events, both involving a workshop, and a live performance:
2 . Crossing Genres
Last weekend (Saturday 17th March 2012, St.Patrick’s Day), as part of SPOKE, Jenny Toune put on a ‘cross genre’ event, consisting of a morning workshop, and an evening performance. She brought together writers and performers, paired us up (apparently randomly, one writer with one performer), and sent each pair off to choose one of the writer’s pieces of work to perform. I was paired with the very talented Petra Szabo. I’d never met Petra before. She has a background in dance, theatre, singing as well as being a writer herself. We had about 45 minutes before we had to present our piece to the rest of the workshop. So we quickly picked a poem I’d written that week, called “The Skin I Live In”, which we thought was suitable.
An interesting process. Petra certainly drove the performance side of it, thankfully. She constructed a routine involving each of us reading parts of the poem, with Petra dancing various sections. The only prop was an umbrella, which she used to great effect. The run through in the workshop went quite well, given that it was the first time through.
And that was it, until the evening performance before an audience on the stage at Shimmering West! No polishing, no perfecting, no extended practicing. Jenny emphasised that this was not theatre, this was an experiment in crashing two genres together and seeing what happens.
Come the evening session, after an open mic (with Open Mike), session, we were into the live performances. The others I watched were really good. The performers and poets working well together, interpreting, connecting, presenting. Some very talented people and a receptive audience. As for my performance with Petra, there were a few dodgy moments where one or other of us wasn’t quite sure what we were meant to do next, but it went fine, and the feedback was positive. I believe Sean King filmed the whole day, so there may be video available at some stage.
Here’s the poem we used:
The Skin I Live In….
is not the skin I was born in
but a version of it
the latest instalment
of a long running story
The skin I grew in
was bruised, burnt
soothed, hugged
scalpelled and stitched
The skin I played in
was pushed, stretched
inked, smeared
muddied and bloodied
The skin I fought in
was pinched, spat on
kicked, jeered
punched and pricked
The skin I loved in
was bared, revealed
oiled, massaged
caressed and kissed
The skin I work in
is clean, shaven
good and proper
white and regular
the skin I write in
is naked, exposed
sensitized, susceptible
reaching and probing
the skin I live in
cannot be preserved
processed, prolonged
projected,protected
nothing can save my skin
the skin I die in
will not be the same skin
that now envelops me
but a descendant
A frailer husk, a drier casing
a peeling parchment
etched with symbols
a final, still shifting shroud
shedding inexorably
from the surface of what
was a life
–
Copyright Mike Hopkins 2012