Book Review: “Deloume Road” by Matthew Hooton

Deloume RoadDeloume Road by Matthew Hooton
My rating: 4 of 5 stars

I met Matt Hooton at a recent Adelaide literary event, where he read some of his work. He reads very well, in an almost hypnotic, low-key way. I got talking to him briefly afterwards, and discovered he came from Vancouver Island. I cycled up Vancouver Island about 10 years ago, and rode through the area of Mill Bay where his book, “Deloume Road” is set.  I bought a copy that night which Matt signed for me.

The story focusses on the lives of a handful of characters who live on Deloume Road. The chapters are short, each centering on one character. Almost every chapter commences with an event from the previous chapter, but from a different character’s perspective. I thought this worked very well. It reminded me of a poetic form, the pantoum, where lines from a stanza repeat in the next stanza, and so a sort of connecting loop or thread is established. Each chapter is short, making the book a relatively easy read. The author builds strong images of the events of one summer on the island.

The characters are well constructed, and I found myself caring about them, which is not always the case with books I’ve read recently: two brothers, one of whom is handicapped in some way; their best friend, a clumsy lad; another boy, with abusive parents; a Korean woman who married a local man; a refugee from Europe working as the local butcher; a veteran of the Korean war; the veteran’s wife.

Towards the end I felt that the author was telegraphing the conclusion, but then it took a somewhat different turn. Even so, the ending was perhaps not as strong as the rest of the book.

Overall, a very good read, especially for what I believe is Matt’s first, and so far only, novel.

Matt’s website is: Matthew Hooton

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Getting Liwulis with Joshua Ip

Joshua Ip

Joshua Ip is one cool guy, and he knows how to run a workshop. I’ve been to quite a few poetry workshops, and sometimes come away disappointed. The disappointment can be caused by a number of failings – maybe my own failing to stay engaged and to concentrate, or the failing of the workshop presenter to stay on topic and cover the required ground in the time available, or the failing of one or more participants to listen rather than to talk endlessly about themselves.

Josh has been touring Australia, appearing at poetry and writing festivals in the major cities. He tells me it is no problem for him to sell 2-3,000 of his poetry books in Singapore! (F**k me, how many Australian poets sell that number of books – count them on one hand I’d guess).

The workshop I did with Joshua yesterday (6/9/2015) on Asian Forms (of poetry), suffered none of those failings. A good group of participants fully engaged by a guy who knew his subject, knew how to put it across, listened intently to his students, kept the subject entertaining, and covered a lot of ground in the three hours available.

I’ve heard of haiku, and renga and tanka and ghazal and pantuns, but I’d never heard of empat perkataan or liwuli. Great to come away from a workshop with new knowledge.

Josh got us to attempt each of the forms he covered. I particularly enjoyed the liwuli, which is originally a Chinese form, but has been ‘appropriated’ by South-East Asian poets, in a playful and mischievous way (so Josh says anyway).

A liwuli is a 3 stanza poem. The first stanza must be 31 syllables, and be an imperative, a set of instructions. The second stanza is 14 syllables, broken into 3 lines (no specific number of syllables per line). The 3rd stanza is 10 syllables, and must be a question or questions. Josh suggested that each stanza must ‘move’ to three different places, express three different emotions. Traditionally, the title is in the form “Liwuli: this is the title of my poem”.

You can also reverse the order (i.e. 10, 14, 31), and that becomes an ‘iluwil’, and you can pair a liwuli with an iluwil. I got the impression from Josh that Asian poets like to play with variations of these forms, and, amongst his peers at least, not take them too seriously.

In the limited time we had (about 5 minutes I think), I came up with this first cut of a liwuli:

Liwuli: How to Drown a Cat

 

Take it by the scruff

block your ears

do not look into its eyes

have the bucket of water ready

the water must be ice-cold

 

Innocence is subjective

look at

the bigger picture

 

Was your heart as cold

as the ice water?



Josh’s website is at: Joshua Ip


Copyright Mike Hopkins 2015